A New Path to Indie Comics Success

Y’know, I’ve always wanted to quit my job and get rich.

To make so much money that finances wouldn’t be an issue anymore. 

To make so much, I’d never have to work again. 

To achieve financial freedom and draw whatever I want, whenever I want.

And this summer I got a taste of exactly that kind of life. The demo version, if you will.

After high school, I’d read all about making money and attracting the life you want. 

I thought all I needed to do was start some big unique business or strike it rich with a new app and let the cash roll in. I had no idea what I was doing or why it would work. I thought I’d learn to code and develop a website that would make me all the money I’d want. 

But my approach was all wrong. And I had no idea what was valuable to people. 

I still have little clue.

I always thought I’d build some bullshit business, sell it off for millions, then live in prosperity. 

I’d read HUNDREDS of stories like that. 

In fact, as soon as I’d heard about manga artists making millions, I immediately set my sights on that goal. 

For the longest time, I studied art and writing to get on the level of my favorite creators.

But the comic book industry looked so bleak in terms of wealth creation that I thought Japan might be a better option. I wanted nothing more than to create a great manga, get an anime, retire rich and go on adventures with my friends & family, drawing whenever I felt like it…

…until I took a look behind their curtain. 

Medical issues, mental health issues, lack of sleep, loss of time, decades spent sacrificing for the art, only to lose the ability to enjoy the fruit of one’s labor in their older age. 

That’s what the manga/anime industry looked like behind all the shiny, pretty colors of their products.

Not ideal. 

So I was trapped between a rock and a hard place for years.

Unable to decide between two paths which I believe were my ONLY options.

I could roll the dice by creating some comic book that would fetch a few sales here and there.  The majority of the revenue of which would go to the publisher. OR I could work my ASS off the bone with a low possibility of ever seeing my own anime in Japan. 

But over the years, a third option became clear to me which is now becoming ever more viable as I continue to create. 

First, I had to figure out what mattered to me as a creator. 

I like writing and I like drawing. 

Do I care about being super famous and everyone knowing me? Not really.

Do I care about making millions? Not millions, per se.

But enough money to achieve financial freedom. Which is when your passive income pays for your living expenses and then some.

Do I really want to make an anime out of my work? One day for sure!

But over time, I’ve noticed a sort of destabilization in the major companies (even in Japan!) caused by the rise of the internet. 

Creators were self-publishing their own work with no middle man. 

Comics creators like Dave Sim or Kevin Eastman were self-publishing long before Kickstarter.

My friends, Nick Pitarra, and Ngozi Ukazu raking in huge numbers on their crowdfunded projects. 

Animators like Arin Hanson (Egoraptor) solo-animating shorts.

Vivienne Medrano (Vivziepop) creating animations with her own crowdfunded studio.

So I began to understand.

I didn’t need to rely on the hope strategy. I didn’t need to create a comic for any company. To follow their guidelines and hope for an anime deal, Hollywood movie, or Netflix show. Some reimagining where they’d change my main character and still call it Air-Rider. 

I learned I can create my own comics and even develop a studio for future animations! My main goal in all this is to proliferate the world with beauty. I know I can, so I will. 

But it’s a climb, for sure. I can’t instantly go from beginning to end. 

And what fun would that be, anyway?

I’m no longer building some big company to sell off one day, I’m building a studio to entertain the shit out of people. 

My goal is to develop my storytelling style in comics, then to expand my vision into animation.

Creating great stories you can escape into, but drive you back to your own life with vigor and enthusiasm. Stories you can get lost in forever and enjoy. Stories that inspire you to live like your favorite characters. It’s possible if you work for it.

I’ve been studying storytelling for well over a decade and I’m just now getting started. I have hundreds–HUNDREDS of pages of useful theories and notes, and I’m here to share it ALL. A good writer creates good stories.

A great writer creates great writers!

I Became Flat Broke on PURPOSE

I am currently flat broke. On Christmas Eve. 

Or in Japanese, FURATTO BROKKU!

I spent my last $1.72 on bread and gas. 

$0 is not good in any language.

Not to mention $4000+ in credit card debt. On top of school loans. Aaand back taxes now that I think about it.

Life can be a kick in the balls sometimes.

But I spent the entire summer blowing through all my savings (and retirement fund) like a madman! As soon as I moved out of my parent’s place, I GAVE UP ART, chased women, bought a motorcycle, and took up boxing! 

Now I know I can:

  • Live well on my own
  • Get laid
  • Ride clutch
  • Take a hit (and give one too!)

I had planned to chill out and do odd jobs for the next couple of years until I had my fill of fooling around. But now in the Wintertime, I’m like the grasshopper who spent all his time fucking people and boozing instead of stacking bread like the ant.

Oh well.

Am I worried? Nah.

Should I be? I wish I was! It’d make more sense.

But I’ve seen rock bottom, and this ain’t even close. Next to that, this is a minor inconvenience. 

Broke-ness is really just a state of mind. 

I tend to put myself in extreme circumstances which teach me the most.

My last desperate cash grab idea before going fully broke was a personal loan. 

The thought of that idea in my back pocket filled me with relief for weeks as I barreled towards poverty. It’s such a quick and easy process, too! I didn’t even need to leave my home. The money would just come to my account in hours. Problem solved. Right?

But that’s how they get ya.

My credit didn’t even have to be that good. So borrowing $6000 would’ve been no big deal right? I’d just pay it back as soon as I made money from my art.

But here’s the catch. 

The loan repayment would begin 45 days after disbursement, then I’d be paying $250 per month for three years until I paid back all $9000 I borrowed.

Wait, $9000?!

And that’s when I understood what APR meant. -_-

That, and the little APR Nen beast from Hunter x Hunter.

So my back-pocket idea was a no-go

And now I had 2 problems.

  1. I had grown accustomed to the life of pure freedom I was living.
    1. I was roommates with my best friend playing videogames all day
    2. Chasing girls around, getting laid.
    3. Buying a motorcycle on a whim and joyriding.
    4. Life truly felt like some kind of early 2000s college movie.
  2. I refused to go back to a day job forever.  And I still do. 

I wandered around day after day, my retirement savings dwindling to nothing, unable to stop the impending ZERO and unwilling to get a “regular job”. I was praying, meditating, and waiting for an answer. Either that, or wishing for something to come and save me!

Then one day, the answer hit me! I could DRAW for a living. 

Yeah. Surprised me too.

It had been sitting right in front of my face the whole time. 

I went to school for it, I’d been drawing for decades, so the answer should’ve been obvious right? 

So I decided to create a Zine to get back into it. A mini-book of drawings using my Air-Rider characters and centered around the 90s & Y2k theme.

An illustration every day in December, until January when I’d sell the whole thing online, and make $30,000, have rent paid and continue my life of complete debauchery.

But so far, the idea is more of a catalyst than anything. It’s galvanized all the resources within me towards creating things again. I gave myself no choice and backed myself into a corner, just to see what I would do. And now I’ve come back to my life’s greatest obsession.

To MASTER STORYTELLING.

I must now bring forth the ideas that flash into my mind on the edge of my consciousness. And I don’t really see a better use of my time than attempting this goal with my whole ass.

I tend not to half-ass most things.

I don’t see comics as “COMICS, or FUNNY BOOKS” I see them as portals into other worlds which can pull you in and engage you. Storytellers are merely your guides to these other realms, picking which characters to focus on, which ones are doing the most interesting things, and the ones with the deepest personal lives. We’re really just telling you what we saw in the best way we can translate it. 

My soul has been reignited. I’ve always wanted to make money creating, and I believe that money is just a reflection of how much I’ve entertained you. That’s always how I’ve bought my favorite books. 

I’m paraphrasing, but as genius businessman and writer of The Millionaire Fastlane,  MJ Demarco put it:

To make money, you must create more than you consume. 

Out of everything I read in that book, that ONE idea has stuck with me until now.

Create more than you consume. 

Now that I’m in a position where my only choices are debt slavery, or creating my own job, 

I magically get it all of a sudden! 

I wouldn’t have understood it earlier when I had money and bitches. But now I can focus. Had I jumped into some job to catch myself before landing at $0.00, I’d be more miserable than ever, and my creativity would remain dulled, and locked in a schedule between 8hr shifts, Youtube, and video games for distraction.

Now my senses are sharpened to a pinpoint. Focused on creating enough value someone would actually pay for.

As much as I want to galavant around the world with my riches, now is not the time. But I can’t think of a better way to get there, than by enriching the lives of others with my art.

I get to start from ZERO. I get to begin anew. I get to learn how money actually works, and make more of it than I ever thought possible.

I was originally just going to draw a zine, post some sketches everyday, run a quick kickstarter, sell some books, then bounce. 

But instead, I’m following marketers on Twitter, Indie comics creators, Russell Brunson, engaging with artists daily, got my email list up and running, and I’m currently creating more issues of my comic Air-Rider. I’ve got Youtube ideas, post ideas, and all of them are gathering at an accelerated rate. All I had to remember is that I am a Creator. 

And so are YOU.

I spent decades developing my skills to the level they’re at now, only to realize I’ve finally made it to the BASE of the mountain.

Time to start climbing!

Y2K Redux

Click image to see full size!

This was originally done as a mood board assignment for Business class at the Kubert school. I put together the most late 90s early 2000s influences on my art as I could fit on one board and named the aesthetic Y2K Redux.

Matt Laskowski: fox-orian or https://www.plasticshards.studio/ (meme originator)
Probably has the best feel for that 2000s vibe I’ve ever seen. Takes heavy inspiration from Mirror’s Edge yet makes it his own. Not to mention he’s one of THE most helpful artists I’ve seen on this DeviantArt I’ve read through his perspective tutorials numerous times. www.deviantart.com/fox-orian/a…. His work drives me to master light and color!

Tobias Zeising: ssilence
Has an excellent eye for mood and atmosphere beyond words.

Asteroid: twitter.com/asteroid_ill
Does some sick Pokemon art in lovely, moody, atmospheric backgrounds inspired by Tsutomu Nihei as well.

Sam Kieth/THE MAXX:
The Maxx is an awesome animated series from 90s MTV. There was so much style to it it made up for some of the limited animation. His comic, Epicurus the Sage has some of the best cartooning I’ve ever seen in comics. Sam Kieth’s style says “to HELL with conventional rules, people should FEEL my art!”.

FLCL:
Do I need to say anything? 6 episodes of this show blows some entire anime series out of the water. It feels like an extended music video with some of the most memorable tracks you’ll ever hear in anime. Not only is it cool and stylish and exceedingly expressive on the surface, it also has an emotional throughline underneath which ties the whole package together. Nothing screams 2000s as loud as this anime!

Darick Robertson:
TRANSMETROPOLITAN is a masterclass in grounding fantastical sci-fi elements in reality. The key is his characters’ human expressions and body language. Working with writer Warren Ellis, the co-creators came up with a whacked-out sci-fi world with a true emotional core.

Archie Comics:
I rarely ever read the comics themselves, but I have a massive Pinterest board (www.pinterest.com/TheCOMIKEN/a…) loaded with wonderful cover art. The characters are wonderfully expressive and flirty. If someone ain’t getting cucked on an Archie cover, it’s not an Archie comic! (as a general rule, of course!).

Jaime Hernandez:
His art was also very much inspired by Archie comics, but he took the expressiveness of his characters to the next level. They live on the page. I can flip to any page in his comics and lose myself in his characters’ lives without realizing it. I have to yank myself away every time. It’s witchcraft I tell you!

Ryan Ottley: RyanOttley

Artist of the comics series, Invincible with writer, Robert Kirkman (Now animated on AMAZON PRIME!) If it weren’t for his art on that book and the amazing inkers and colorists, I probably wouldn’t have bought the whole series. It’s insane the amount of impact and boldness there is in his art. Not only that but the expressiveness of his characters adds even more of an emotional component to the intense, gory action. 

Omar Dogan: Omar-Dogan

His Capcom/Udon work is FULL of that lovely 2000s vibe.

Koji Morimoto: https://twitter.com/PhyKojiMorimoto
This animation director is a clear channel conducting the flow of otherworldly experiences from the universe to present humanity something fresh and new. You have to see it to believe. He also pulls inspiration from Andrej Tarkovsky. Check out his music videos on youtube and what I consider his magnum opus: Dimension Bomb.

Tsutomu Nihei
If you ever want to see what bleak, dense nihilism with no hope of escape looks like read BLAME! and take a walk through a true Dyson Sphere. The “story” is just an excuse to draw whatever awesome shit he could conceive of. This guy is pulling artistic rules from another dimension. He’s one artist who’s shown me that your work doesn’t need to look perfect or have the best anatomy or perspective to sell. Nihei operates on the rule of cool (especially in his work, BIOMEGA). If it looks badass, draw it. His work is a near unfiltered look into his mind. The kind of stuff I’d never see in American comics. 

George Morikawa
Some the most VISCERAL action you will see in comics and manga PERIODT. The anime does an amazing job of conveying the impact of each blow, but when I finally took a look at the manga, I saw the source of power they were working from. So many creative and distinctive ways to show the devastation of a single punch.

Weilin Zhang Xenophoss
Epic animator I found on twitter! My favorite animation by him: twitter.com/Xenophoss/status/9…

@hanzo1011
I really like the greyscale and angles he uses in his work! twitter.com/hanzo1011/status/8…

Want to see these vibes assimilated into one hard-hitting, action-packed comic?

Check out AIR-RIDER here!

https://globalcomix.com/c/air-rider/chapters/en/1/1

A story about at delinquent boy who attends the same high school where his father was a school SHOOTER.

Now he has to fight the demons his father indirectly spawned!

AIR-RIDER is a mix of all your favorite Saturday morning cartoons.

…with a dash of horror.

Think The Maxx, FLCL, Teen Titans, Danny Phantom, and Codename: KND all rolled into one! If you miss those lazy days watching your favorite Saturday Morning Cartoons, AIR-RIDER’s got you covered!

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